Wen Fang Si Bao--Four Treasures of the Study in Chinese Calligraphy

16,2007 Editor:at0086| Resource:AT0086.com

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Four Treasures of the Study (文房四寶) is an expression used to refer to the ink brush, inkstick, papr and inkstone used in Chinese calligraphy. They are main tools with which one carries out ones scholarly work, calligraphy and traditional Chinese painting. For this reason, they are called the "four treasures of the study" - Wen Fang Si Bao. It is only through these tools that the beauty of Chine
Four Treasures of the Study (文房四寶) is an expression used to refer to the ink brush, inkstick, papr and inkstone used in Chinese calligraphy. They are main tools with which one carries out ones scholarly work, calligraphy and traditional Chinese painting. For this reason, they are called the "four treasures of the study" - Wen Fang Si Bao. It is only through these tools that the beauty of Chinese art receives concrete expression.
 
Writing Brush
The earliest writing brush that has been found is a relic of the Warring States Period (476 BC – 221 BC). From that time onwards, the brush has evolved into many forms. The nib can be made from rabbit's hair, wool, horsehair, weasel's hair, or bristles, and so on; while the shaft may be made from bamboo, ivory, jade, crystal, gold, silver, porcelain, sandal, ox horn, etc. It is important to see that there can be both soft and hard brush each producing their own particular styles.
 
Ink Stick
A good ink stick should be ground so as to be refined black with luster. With the invention of paper, they were improved accordingly. Since the Han Dynasty (206 BC - 220), ink sticks have been made from pine soot, using other procedures that include mixing with glue, steaming and molding. In ancient times, emperors such Qianlong in the Qing Dynasty (1644 - 1911) had paid great attention to the production of ink sticks and were expert in their appreciation of quality inks.
 
Paper
One of the most important Chinese inventions, paper was invented by a Chinese scholar during the Eastern Han dynasty (25 - 220 A.D.). Since the paper is the medium which a piece of calligraphy is presented and preserved, it is utterly important to use the right paper. An ideal paper must be able to absorb ink quick and hold it well. The surface of paper can not be very firm and smooth. Chinese calligraphy and traditional Chinese painting require different kinds of paper.
 
Ink slab
The ink slab is the reputed head of the 'four treasures', for its sobriety and elegance has endured the passage of time. Through ink slabs, people can sample the artistic charm of sculpting and the ink stone's natural tints. Nearly all Chinese calligraphy enthusiasts hold that the star of ink slab is the Duanyan, which is produced in Duanzhou of Guangdong Province. It has its base a purple hue and enjoys the poetic name 'purple clouds'.
 

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