Comparing two photos of Tian'anmen Square, it is easy to see the changes, especially in the past 10 years
            
            
                
The weeklong World Photographers Focusing on Beijing event highlights the city's beauty, past and present. Angela Shen reports.
Some things - like the time-honored value placed on education - have  remained relatively unchanged in China. But this is the exception rather  than the norm.
"Beijing is changing every day," remarks German photographer Frank P.  Palmer, who won first prize in the 2009 Beijing in the Eyes of  Foreigners contest with his China's True Heroes photo (which honors  construction workers).
Comparing the two photos he took of Tian'anmen Square - one in 1992  and the other in 2010 - it is easy to see the changes, especially in the  past 10 years, Palmer says, which have seen marked improvements in  environmental standards and people's lives.
"The Olympic Games brought a lot of improvements to Beijing. The city  is more modern now - clean and comfortable to live in," says Philippe  Bourgeois, who was former French president Jacques Chirac's personal  photographer.
Beijing's rapid development has been a source of interest to  foreigners for years. But it is one thing to hear or read about the  changes and another to see the extent of these transformations. The  World Photographers Focusing on Beijing event began in 1999 as a way to  promote a greater understanding of China, and Beijing in particular. Due  to the success of the event, in 2005, it became an annual affair with  10 photographers invited by the Beijing municipal government every year  to spend seven days in Beijing.
The event is a form of cultural exchange, and the photos taken by  photographers during the event have served as tangible evidence of  Beijing's continued progress.
This year, from Sept 16-23, 10 professional photographers from  various countries were invited, once again, to take photos of popular  sites, such as Tian'anmen Square, the Temple of Heaven and the Beijing  Olympic Gardens.
The weeklong event is geared toward both foreigners and locals. To  foreigners, especially those who have never visited China, the photos  reveal a glimpse of modern Beijing. To locals, it represents a chance to  understand how outsiders' perceptions of Beijing have changed over the  years.
What makes Beijing "a worthy place to visit for tourism", explains  Bourgeois, whose Walking Together in Ancient Beijing photo won the grand  prize in the 2010 Beijing in the Eyes of Foreigners photo contest, is  the fact that Beijing is both "a modern capital city" and a place where  "many historical sites have been well preserved".
American photographer Joe McNally, who has shot cover stories for a  variety of magazines, such as TIME, Newsweek, Fortune and Entertainment  Weekly, explains there is beauty in both the new and the old.
"From a Westerners' standpoint," he says, "I am inclined toward the  older style of traditional sites. But I've found the newer design of the  modern buildings to be equally captivating."
Architecture, however, only tells half the story. As American  photographer, Trey Ratcliff, who has been featured on BBC, ABC and FOX,  says: "China is about the people" so "taking photos of them at these  classical sites" is as important as photographs of the architecture  itself.
In addition to architecture and people, there are two other areas  that garnered attention during the seven-day event: the growth in  creativity and the availability of "space". In regard to artwork and  creativity, both McNally and Ratcliff have noted recent bursts in  creativity among youths and artists in Beijing. Ratcliff, the creator of  the popular travel photography blog StuckInCustoms.com, which features  stunning scenery from all over the world, expressed his love for the  "new, emerging creative class of China" and the "artistic 798 part of  town", claiming it to be a source of inspiration for his own projects.
In much the same way, Bourgeois, whose album of the Eiffel Tower was  presented as a gift to the Chinese government by Jacques Chirac,  commented on the beauty and availability of "space" - the area left  behind from the 2008 Olympics.
In his opinion, the government made a brilliant decision in turning  what would have been a "financial loss" into a profit by opening the  Olympic sites to the public and transforming them into city highlights.
The 2011 World Photographers event has been a success but this is no doubt due to the effort of the photographers.
Some photos are better taken during "sunrise, sunset and (at) night",  says Ratcliff, who is known for his unique take on HDR (High Dynamic  Range) photography, and was the first to have an HDR photo hang in the  Smithsonian. In other words, he would have had to stay up at odd hours  of the day and night to find the perfect setting for his pictures.
However, the results of his efforts are undeniable: The National  Center for the Performing Arts, given the backdrop of the setting sun,  looks like a silver-spun egg floating in a fairytale lake when it is  reflected upon the water.
Similarly, Palmer, who participated in recording the construction of  the new CCTV tower and had many of his works featured in the Creative  China art exhibition held at the Victoria and Albert (V&A) Museum in  London, also faced many difficulties in his assigned task to document  the entire "7.8-km (stretch) of the historical part of the Central  Axis".
Bourgeois sees the potential in Beijing's many "historical sites" and  "natural landscapes" for tourism, and has expressed a desire to  "participate (again) in the promotion of these places" in the future.
In contrast, McNally, who won the first Alfred Eisenstaedt Award for  "Journalist Impact", revealed he hopes to return to China to someday to  "teach photography to Chinese photographers".
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